CHIODOS have just announced a co-headlining tour with Motion City Soundtrack this Fall. That’s cool, assuming homeboy can get his shit together. It’s pretty bold, actually, that Chiodos’ handlers are assuming Owens will be ready for life back on the road after his overdose and subsequent stay in a mental health facility. Cross your fingers for Craig folks.

From their publicists:

With frontman Craig Owens appearing on the latest cover of Alternative Press–for the second time in less than a year (October 2007, September 2008)–Flint, MI’s CHIODOS continue to gain momentum, almost a year after the release of their hugely successful second album BONE PALACE BALLET. Released in September 2007 on indie label Equal Vision Records, the album debuted at #5 on Billboard’s Top 200 Album Chart. Critical praise for their compelling post-hardcore music–from outlets, including New York Times, Blender, Billboard, Hollywood Reporter, Revolver, Village Voice and UK’s Kerrang! (see quotes below)–has helped bolster sales of the set to over 157,000 copies.

A mainstay on the road, with international appearances spanning clubs, arenas and major rock festivals, CHIODOS has announced their latest tour: a co-headlining fall U.S. trek with Motion City Soundtrack. Set to kick off September 22 in Louisville, KY, the band will bookend the tour with headlining shows across the continental U.S., Alaska and Mexico. Tickets for the tour go on sale to the public Friday, July 25, check www.myspace.com/chiodos for more information.

Here’s our sweet live footage of them from SXSW. More sweet Chiodos words and tour dates after the jump.

(more…)

[The following entry was written by Synthesis Weekly columnist Emilie Clark. She can be reached at emilie@synthesis.net ]

I Was Told There’d Be Cake
By Sloane Crosley
Riverhead

I, like everyone else interested in book publishing, journalism, music or theater, have always fantasized about moving to New York City. That’s where it all happens, you know, and I heard if you can make it there you can make it anywhere. I discarded that pipe dream a while back, but NYC still interests me. Which is why I read Gawker on occasion and keep up on the New York literary world though the Internet. I guess it’s inevitable to know a lot about the city and its inhabitants since most media spawns from within its confines. This is a long-winded way of saying that I had some definite preconceptions about New York publicist Sloane Crosley’s debut book.
According to The New York Observer, Sloane Crosley’s path to writing started with a mass e-mail to some friends describing a story that would later become an essay in the book. The story is about how when moving from one apartment to another (three blocks away) she locked herself out of both apartments. It’s a funny story in the book and I’m sure it was a funny e-mail, but that’s not important. What’s important is that one of her friends — and therefore e-mail recipient — was the editor at The Village Voice and offered to publish a polished-up version of the story. This is essentially how Crosley became famous. And it’s also why I’m having a hard time liking her. I can’t help but wonder how different my life and writing career would be if I were friends with the editor of The Village Voice. But I guess my envy is really neither here nor there.

Now that we’ve whetted your interest, the actual review can be found after the jump… (more…)