Every so often I find myself flipping through CDs in a jaded attempt to fins something, anything, with a little authenticity, originality or…well, something that doesn’t suck. It can be a tough job, actually. If only there were more bands like Surface of Atlantic, who really spoke out to me through the filter-less din of internet music. With softly uttered vocals, droning guitar repetition, swelling keyboards and minimalist electronica underpinning the unassumingly beautiful songs, Surface of Atlantic can easily knock the copy of Coldplay’s Parachutes or Death Cab’s Transatlanticism out of any sweater-wearing dorm rat’s CD changer. The aesthetic is decidedly mellow, but this is not to say the music lacks the right amount of rhythm to push it along at a simmering mid-tempo. Tracing the musical genealogy of this Montreal quintet back, you might find albums by Slowdive, Sigur Ros, Postal Service or The Poor Rich Ones populating their catalogs. This is truly noteworthy, and we suggest you stop what you’re doing and look into this majestic stuff.

Their latest LP, Ephemeral as we Speak, is available now.

Buy it on iTunes here.

Check out Surface of Atlantic’s really well put together Official Web Site for more up to the minute details (or, you know, look at their MySpace….)

Instrumentation
Dave Douville: vox+guit
Marco Gervais: guitar
Martin Poisson: bass
Francois Graham: Piano/keys
Fred Bujo : Drums

Discography
Ephemeral as we Speak LP - 2007
Fairmount Avenue EP - 2006

Coldplay is just giving it away - details in the press release below:

“Violet Hill,” the first single from Coldplay’s upcoming album, Viva La Vida, will be available as a free download from the band’s website (http://www.coldplay.com) for one week beginning Tuesday, April 29th, at 7:15 a.m. EDT - a full week before it goes on sale at digital retailers. Viva La Vida will be released in North America on June 17th.

“Violet Hill” also debuts on radio this Tuesday. On the same day, Coldplay will post preliminary details on its website regarding the band’s upcoming free show:

June 23rd New York, NY Madison Square Garden

Please check http://www.coldplay.com beginning April 29th for details on how to win tickets. As this is a free show, no tickets will be available for purchase. Coldplay will also be playing a free show at Brixton Academy in London, England on June 16th.

Viva La Vida was produced by Brian Eno and Markus Dravs. It is the follow-up to the immensely successful X&Y, which has sold 10 million copies worldwide since its release in 2005.

As mentioned last Friday, Coldplay has announced a June 17th release date for their fourth album, “Viva La Vida or Death and All His Friends.” While writing that post, something clicked on in the back of my mind: this album has the potential to either keep Coldplay’s label EMI afloat for another year, or make necessary the eventual merger of EMI Music (including its subsidiaries like Capitol, Virgin, Astralwerks, Blue Note, Def Jux, Mute and Tooth & Nail) and Warner Music Group, who currently hold the 3rd and 4th place slots in “The Big Four.” Variety agrees that “Viva…” is shaping up to be something of a high-stakes venture. EMI’s certainly hoping that Coldplay’s X&Y wasn’t this:

I remember a time, not so long ago, when a record label depended on its solid roster to make the business float, not just a handful of high-profile superstar artists. Their top sellers would go quintuple-platinum, allowing for enough extra cash to take chances on smaller artists, grow them and support them until they break through, joining the ranks of the high-sellers (we used to call such a thing “artist development”). Britain-based EMI and its subsidiaries once boasted an amazing roster including the likes of The Beatles, The Rolling Stones, Pink Floyd and The Beach Boys. Now the label seems to be relying on one or two current chart busters, in this case Coldplay, and the repackaged back catalogs of their dusty dinosaurs.

Artist development on major labels is now a ting of the past (that’s what indie labels are for, right?); there’s no new EMI artist who comes close to replacing Radiohead, who left the label in 2007 after deciding that they no longer needed a record label. EMI can release Best of Radiohead (June 3rd), but no one stands a real chance at releasing another OK Computer….save Coldplay. It’s possible that Chris Martin and company can release an album with (almost) as much impact. But if Viva La Vida or Death and All His Friends does any worse than 2005’s X&Y, I wouldn’t be surprised to see EMI/Warner Music rear its head in 2009/2010.

Until then, let’s look at what EMI will be releasing to keep its head above water, after the jump: Read the rest of this entry »

In an interview with the LA Times, freelance writer David Peisner claims that his controversial reviews of NAS and The Black Crowes in Maxim were assigned to him as previews, with the star-ratings and review context added after he had turned them in:

“I’m a freelance writer. I was assigned to write previews of the Black Crowes and Nas albums. I did that. When the issue came out, the previews were laid out as reviews complete with star ratings. I never at any point or to anyone claimed to have heard these albums in their entirety. Whatever decisions Maxim made after I turned in my work were beyond my control.”

Of course Black Crowes manager Peter Angelus had little sympathy for Peisner:

“There’s no accountability for Dave Peisner, editor James Kaminsky or Maxim magazine. They issued a partial apology to their readership, but no apology directly to the artist whose work they denigrated without having heard more than one song, while attempting to pass it off as an album review. I think Peisner’s claim is absurd. He wrote a review of music that he never heard, he disparaged both the band and the material. He said, ‘It hasn’t left Chris Robinson and the gang much room for growth,’ and yet now he’s going to attempt to pass off his actions on Maxim? Absurd.”

I’d like to congratulate both NAS and The Black Crowes for getting so much mileage out of what amounts to common knowledge. OMG A REVIEWER FROM MAXIM TALKS OUT OF HIS ASS!!??? Cue the crocodile tears is five, four…. Brings new meaning to the phrase, no press is bad press! Not to mention when was the last time Maxim was talked about by anyone beyond 18 year dudes who just got out of high school but don’t have enough balls to subscribe to Playboy? This is a win-win situation for everybody. Now excuse me while I write my scathing reviews of Guns ‘N’ Roses Chinese Democracy and Coldplay’s Prospekt. Coming soon to Synthesis.net

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