As mentioned last Friday, Coldplay has announced a June 17th release date for their fourth album, “Viva La Vida or Death and All His Friends.” While writing that post, something clicked on in the back of my mind: this album has the potential to either keep Coldplay’s label EMI afloat for another year, or make necessary the eventual merger of EMI Music (including its subsidiaries like Capitol, Virgin, Astralwerks, Blue Note, Def Jux, Mute and Tooth & Nail) and Warner Music Group, who currently hold the 3rd and 4th place slots in “The Big Four.” Variety agrees that “Viva…” is shaping up to be something of a high-stakes venture. EMI’s certainly hoping that Coldplay’s X&Y wasn’t this:

I remember a time, not so long ago, when a record label depended on its solid roster to make the business float, not just a handful of high-profile superstar artists. Their top sellers would go quintuple-platinum, allowing for enough extra cash to take chances on smaller artists, grow them and support them until they break through, joining the ranks of the high-sellers (we used to call such a thing “artist development”). Britain-based EMI and its subsidiaries once boasted an amazing roster including the likes of The Beatles, The Rolling Stones, Pink Floyd and The Beach Boys. Now the label seems to be relying on one or two current chart busters, in this case Coldplay, and the repackaged back catalogs of their dusty dinosaurs.

Artist development on major labels is now a ting of the past (that’s what indie labels are for, right?); there’s no new EMI artist who comes close to replacing Radiohead, who left the label in 2007 after deciding that they no longer needed a record label. EMI can release Best of Radiohead (June 3rd), but no one stands a real chance at releasing another OK Computer….save Coldplay. It’s possible that Chris Martin and company can release an album with (almost) as much impact. But if Viva La Vida or Death and All His Friends does any worse than 2005’s X&Y, I wouldn’t be surprised to see EMI/Warner Music rear its head in 2009/2010.

Until then, let’s look at what EMI will be releasing to keep its head above water, after the jump: Read the rest of this entry »

Photo: Al Green and Ahmir “?uestlove” Thompson
Photo credit: Ginny Suss

Right now I am clenching my fist and slowly pulling it into my chest, releasing a slow hissing “yesssssssss.” We all know The Rev Al Green lays it down and writes the songs that make the young girls writhe, the cats jive and love thrive, but it’s been a while. However, on May 27th Al Green will release “Lay It Down.” I couldn’t be more ready.

In the video clips, featured guest musicians Corinne Bailey Rae, John legend, Anthony Hamilton, The Dap Kings Horns Section and ?uestLove (who co-produced the album) talk of Mr. Green’s superb vocal and arrangement skills, and from the soundtrack featured in the vid, I’m taking a guess that this will be about A MILLION TIMES BETTER than that overrated Santana record with people like Rob Thomas helping him write material that sounds fresh, yet still retains its classic characteristics…

Conceived as a collaboration between the soul legend and a handful of gifted young admirers from the worlds of contemporary R&B and hip hop, the album is drawn from a series of inspired sessions that yielded the most high-spirited, funky and often lushly romantic songs of Green’s latter-day career….

Al admits, “That’s the only way I know how to work, that’s what I’ve done all my life. You just write it from here.” He taps his heart. “That’s what we do every Sunday. We never write a sermon now. If you can’t preach out of here”–tapping his chest again–”you have nothing to say anyway. It’s all from the heart, this whole album, from start to finish.”

What you just heard was my heart recreating the big bang theory. Eff yes. Check out the video clips if you’re tired of being alone.

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